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原文

Masterpieces by Serge Lancen.

翻訳

セルジュLancenによる傑作.

原文

Masterpieces by Serge Lancen. Masterpieces for Band 19. For concert band. Molenaar Masterpieces. CD. Published by Molenaar Edition. ML.311084720. SERGE LANCEN - Serge Lancen was born in Paris on 5 November 1922 in a family of surgeons from father to son. His father was head of the rheumatology ward at the Saint-Antoine hospital. From his early youth onwards, Serge Lancen felt attracted to music while listening attentively when his mother played the classical pieces by Bach, Mozart, Beethoven, Chopin etc. on the piano. All of these classical composers will influence Lancen later. His mother was not only a fine pianist, but also an excellent painter, whereas his father had played the violin in an amateur symphony orchestra. Young Serge never got fed up with listening to the symphonic music concerts that were broadcast every Sunday afternoon and soon he starts learning to play the piano. Not even five years old, he composes a Berceuse. Cradle Song. which will be published much later and which was written down by his mother as little Serge could neither read nor write music yet. When he was eight years old he started studying solfeggio and piano and when he was fifteen, he had written enough piano music in order to give a complete recital with his own compositions. That concert took place at the London Rudolf Steiner Hall in 1937. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. Several composition prizes will follow. among those several Composition Prizes of the French Broadcasting Union, a Prize of the European Radio Union and Composition Prizes warded by the SACEM, the French copyright society. Serge Lancen composed all kinds of music such as chamber music, works for piano, ballet music, a chamber opera commissioned by the French Radio and quite some symphonic compositions. His rather original style is clearly influenced by the great classical composers he heard so often in his youth. Among his early symphonic compositions we mention the Concertino for Piano. 1949. , the Piano Concerto. 1951. and the Symphonie Legere. 1955. Serge Lancen and the symphonic band. There was absolutely nothing that could make one expect Serge Lancen to become one of the great French composers of original wind band music in the 20th century. Indeed, he had grown up in a musical world that was completely focused on the piano and the strings. The soloists he had heard when he accompanied his parents to the Sunday concerts always were either pianists or violinists. To him, winds only had a function in the orchestra when surrounded by the strings and so, he was completely predestined to become a purely symphonic composer. However, fate decided otherwise. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. As Dondeyne wanted to enrich the original contemporary wind band repertoire he not only started composing himself but incited his ancient fellow-pupils to write music for symphonic band. Serge Lancen attended some concerts by this popular wind band and was deeply impressed by the splendid sonorities of the symphonic band with its mass of clarinets, saxophones and saxhorns. Later, he will admit that it was above all the massive sonorous communion of the wind band that attracted him and fascinated him for the rest of his life. For the symphonic composer by training, the upper register of the symphonic band definitely lacked volume and power, but the inventions by Adolphe Sax certainly add exceptional natural colours to the medium and low registers. So it happened in 1960 that Serge wrote a Marche de Concert that he had orchestrated for band by Dondeyne, as he himself was confronted with the huge difficulty of having to cope with the numerous transposing instruments of the symphonic band. A trip to the United States inspired Lancen to write his Manhattan Symphony. 1961-1962. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. two other wind band pieces. Serge Lancen discovered the World Music Contest that took place once in four years since 1950 at Kerkrade a small southern Dutch city near the German and the Belgian borders. Serge became a special guest of the World Music Contest since his Manhattan Symphony had been chosen as test piece in the 1st Division in 1966. At the 1970 edition of the WMC, the famous Banda Primitiva of Lliria performed his Mini Symphony in concert, whereas the colliery band DSM played his Manhattan Symphony. In 1974 Serge himself played his Parade Concerto with the Marine Band of the Royal Dutch Navy, in 1978 Cap Kennedy brought the house down as test piece in the 1st Division and in 1981 his Festival Rhapsody, commissioned by the WMC organizers, was the test piece in the 2nd Division. Four years later, still at Kerkrade, Serge played his Concerto de Paris with the Symphonic band of the Maastricht Conservatory of Music and this concert was broadcast on television. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. The Mini Symphonie. 1967. can be considered as his first "complete" composition for symphonic band. Then, still fascinated by this unique sonorous spectrum, Lancen continued to write regularly for symphonic band, especially when he was encouraged by his Dutch publisher Pieter Jan Molenaar who had been impressed by the Manhattan Symphonie at the world premiere by the Musique des Gardiens de la Paix. Paris Metropolitan Police Band. on 29 April 1962 at Argentan. Obsession. 1969. , commissioned by the French Radio for a European composition contest was awarded a First Prize. Next he composed the masterpiece Cape Kennedy. 1969-1970. , a symphonic poem that was immediately very successful even far beyond the borders. Among the numerous wind band compositions. some sixty. we should mention the symphonic sketches Le Mont Saint Michel. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979-1980. and Mascarade. 1985. for brass quintet and symphonic band, premiered during the third WASBE world conference in Boston on 20 July 1987. Serge Lancen attended the foundation of the World Association for Symphonic Bands and Ensembles at Manchester in July 1981 and actively supported this organisation for many years. From 1985 to 1991 he was a member of the international board and represented his native country. Besides the already mentioned Mascarade first performed at Boston in 1987, several compositions by Lancen were either premiered or performed at the different WASBE conferences. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. National Police Band. , conducted by Pierre Bigot, at Kortrijk, Belgium on 17 July 1985. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. Principal French Air Force Band. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. the Sonate Concertante for clarinet and symphonic band was performed by clarinettist Mark Vertessen and the Lier Concert Band on 14 July 1993 at Valencia, Spain and the Oboe Concerto was played by the same Belgian band. renamed "Concert Band for Flanders". on 8 July 1997 at Schladming, Austria. Serge Lancen has written several concertos with wind band accompaniment. First of all there are the two piano concertos. Parade Concerto. 1971. premiered by Pierre Nimax at the piano and the Esch-sur-Alzette Municipal Band. Luxemburg. , conducted by Georges Wagner, on 6 April 1972. Serge Lancen often played himself that concerto. so he did with Jan Molenaar conducting the United States Air Force Band in Washington D.C. in 1973 and recorded it with Jan Molenaar conducting the Purdue University Symphonic Band that very same year and in 1971 he had recorded it with the Royal Dutch Military band KMK, conducted by Anne Posthumus. The Concerto de Paris was premiered by the composer and the Royal Dutch Military Band KMK conducted by Jan van Ossenbruggen on 25 November 1983 at Zaandam during a concert celebrating the 50th anniversary of Molenaar Edition. Then there are also concertos for different solo instruments with symphonic band. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. Next to the already mentioned solo pieces, there are also concertos for trombone. 1988. , for French horn. 1991. and for Harp and symphonic band. 1990. All these solo pieces have been recorded by the Symphonic Band of the Brabant Conservatory of Music. The Netherlands. , conducted by Jan Cober. "Masterpieces for Band 3". Molenaar MBCD 31.1016.72. and "Masterpieces for Band 11". Molenaar MBCD 31.1040.72. It is also quite interesting to know that the Oboe Concerto. 1991. was in fact a new version of the Concerto for Harmonica and Symphony Orchestra. 1954. commissioned and also premiered by Larry Adler at the Birmingham Town Hall, Rudolf Schwarz conducting. The composer has always expressed a preference for his religious compositions. The first one he wrote was Poeme Ecumenique. 1975. based on texts excerpted from the Bible. Psalms 8, 23, 100 and 150. , from books of prayers in their original language. Latin, French, Slavonic, Hebrew. and from individual prayers. The finale is the Hymne de Fraternite written by Roger Thirault. This religious composition, premiered in the Notre-Dame Cathedral of Laon on 12 October 1975, is written for symphony orchestra and. or wind band, soloists and choir. The second religious composition is the Missa Solemnis. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. Then we have the Te Deum. 1991. for tenor and baritone singer, male choir and wind ensemble. 14 instruments. dedicated to the former Paris cardinal Lustiger. Finally there is the Credo. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. Among the later symphonic band compositions by Serge Lancen we should mention Zwiefache Symphonique. 1994. , Hymne aux Musiciens. 1995. , Jour de Fete. 1995. , Jubila. 1996. and the cantata Espaces Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. He died peacefully on Sunday 10 June 2005 and now rests at the Montparnasse Cemetery in Paris. All those who were lucky to meet Serge regularly were touched by his distinction, his delicacy, his balanced vision and his honesty, characteristics we also find back in his compositions. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.

翻訳

セルジュLancenによる傑作. バンド19のための傑作. コンサートバンドのための. Molenaarの傑作. CD。 Molenaarの版が発行. ML.311084720. SERGE LANCEN - セルジュLancenは父から息子への外科医の家族の中で1922年11月5日にパリで生まれた. 彼の父はサン·アントワーヌ病院でリウマチ病棟の頭だった. 以降、彼の初期の青年から、セルジュLancenは、彼の母親はバッハ、モーツァルト、ベートーベン、ショパンなどの古典作品を演奏するとき注意深く聞いている間、音楽に惹か感じた. ピアノ. これらの古典的な作曲家のすべてが、後Lancenに影響を与える. 彼の父はアマチュアオーケストラでバイオリンを演奏していたのに対し、彼の母親は、ファインピアニストだけでなく、優れた画家だけではなかった. 若いセルジュは毎週日曜日の午後に放送されたシンフォニックな音楽のコンサートを聴きにうんざりやったことがなかったし、すぐに彼はピアノを弾くことを学ぶを開始. なくても5歳で、彼は子守歌を構成する. クレードルソング. まだ音楽を読み取ることも、書くこともないずっと後に公開され、これは、彼の母親はわずかセルジュ別に書かれた. 彼は8歳の時、彼はソルフェージュとピアノを学び始め、彼が15だったとき、彼は彼自身の組成との完全なリサイタルを与えるために十分なピアノ音楽を書いていた. そのコンサートは1937年にロンドンルドルフ·シュタイナーホールで開催されました. Later, he studied the piano with Marguerite Long and Lazare Levy as well as composition with Noel Gallon and Tony Aubin at the Paris National Superior Conservatory of Music. In 1950 he was awarded the 'Prix de Rome', the most prestigious reward for a young composer. いくつかの組成賞品が続く. フランス語放送連合、欧州連合（EU）とラジオSACEM、フランスの著作権社会で逃れた作曲賞の受賞のもの、いくつかの作曲賞の中で. セルジュLancenは、室内楽、ピアノのために働く、バレエ音楽、フランスのラジオとかなりのシンフォニックな組成の委託を受けチャンバーオペラなどの音楽のすべての種類を作曲. 彼のではなく、オリジナルのスタイルは明らかに彼が彼の若さでそう頻繁に聞いた偉大な古典的な作曲家の影響を受けて. 彼の初期の交響曲の組成物の中で私たちは、ピアノのための協奏曲を言及. 1949. 、ピアノ協奏曲. 1951. and the Symphonie Legere. 1955. セルジュLancenと吹奏楽. 1はセルジュLancenは20世紀のオリジナルの風バンド音楽の偉大なフランス人作曲家の一人になることを期待して作ることができる絶対に何もなかった. 確かに、彼は完全にピアノに集中していた音楽の世界と文字列の中で育った. 彼は日曜日のコンサートに彼の両親に同行したとき、彼は聞いていたソリストが常にピアニストやバイオリニストのいずれかであった. 彼に文字列に囲まれたとき、風が唯一のオーケストラでの機能を持っていたので、彼は完全に純粋にシンフォニックな作曲家になることを運命づけられた. しかし、運命はそうでないことを決定. One of his ancient friends at the Paris Conservatory, clarinettist Desire Dondeyne, was appointed conductor of the Paris Metropolitan Police Band in 1954. ドンデーヌがオリジナルの現代風のバンドのレパートリーを豊かにしたかったように彼は彼自身を構成始めたが、吹奏楽のための音楽を書くことが彼の古代の仲間の生徒を煽動するだけでなく. セルジュLancenはこの人気の風のバンドによって、いくつかのコンサートに出席し、深くクラリネット、サクソフォンとsaxhornsのその質量と吹奏楽の素晴らしい響きに感動しました. その後、彼はそれが彼を魅了し、彼の人生の残りのために彼を魅了風のバンドのすべての大規模な朗々と交わりの上にあったことを認めるだろう. 訓練によるシンフォニック作曲家のために、吹奏楽の高音域は間違いなく、ボリュームと力を欠いていたが、アドルフ·サックスによる発明は、確かに中·低のレジスタに例外的な自然な色を追加. だから、セルジュは、彼自身が吹奏楽の多数の移調楽器にも対応することの巨大な困難に直面したとして、彼は、ドンデーヌでバンドの指揮していたマルシェ·ド·コンサートを書いたこと、1960年に起こった. 米国への旅は、彼のマンハッタンの交響曲を書くことLancenに影響を与えた. 1961-1962. for symphonic band and once more he entrusted the orchestration to Desire Dondeyne. And so he also did with his Symphonie de Noel. 1964. and the suite Festival - Kerkrade. 1966. 2別ウィンドバンドピース. セルジュLancenはケルクラーデで1950年以来4年に一度のドイツとベルギーの国境近くの小さな南部のオランダの街を行われたことを世界の音楽コンテストを発見. 彼のマンハッタンのシンフォニー1966年に第一事業部での試験片として選択されていたので、セルジュはワールド·ミュージック·コンテストの特別ゲストになりました. 炭鉱バンドDSMは彼のマンハッタンのシンフォニーを果たしたのに対し、WMCの1970版では、Lliriaの有名なバンダプリミティバは、コンサートで彼のミニシンフォニーを行った. 1974年にセルジュ自身は、ロイヤル·ダッチ·海軍の海兵バンドと彼のパレード協奏曲を果たし、1978年にキャップケネディは第一師団で試験片と家を倒さ1981年にWMCの主催者が委託者祭ラプソディは、試験片だった第二事業部. 四年後、まだケルクラーデで、セルジュは音楽のマーストリヒト音楽院の吹奏楽で彼の協奏曲·ド·パリを果たし、このコンサートがテレビで放送された. Serge Lancen's music was also often on the program of the gala concerts given by prestigious professional wind bands during the consecutive WMC editions. After the Festival - Kerkrade in 1967, Serge Lancen thought he was quite capable of writing himself the symphonic band orchestrations. ミニ交響曲. 1967. can be considered as his first "complete" composition for symphonic band. すると、まだこのユニークな響き渡るスペクトルに魅せ、Lancenは、彼がMUSIQUE DES Gardiensデラによって世界初演でマンハッタン交響曲に感銘を受けていた彼のオランダの出版社のPieter月Molenaarのに励まされた場合は特に、吹奏楽のために定期的に書き続けペ. パリ警視庁·バンド. アルジャンタンで1962年4月29日に. 強迫観念. 1969. 欧州組成コンテストのためフランスのラジオからの委託は一等賞を受賞しました. 次の彼は傑作ケープケネディを作曲. 1969-1970. でも、ここまで国境を越えてすぐに、非常に成功した、交響詩. 数々の風バンド組成物のうち. いくつかの60. 私たちは、シンフォニックなスケッチをモン·サン·ミッシェルを言及する必要があります. 1976. , the symphonic poem commissioned by the French Government Le Chant de l'Arbre. 1979-1980. とMascarade. 1985. 金管五重奏と吹奏楽のため、1987年7月20日にボストンで三WASBE世界会議で初演. セルジュLancenは1981年7月にマンチェスターでのシンフォニックバンドとアンサンブルのための世界連合の基礎に出席し、積極的に何年もの間、この組織をサポート. 1985年から1991年までは、国際委員会のメンバーであり、彼の母国を代表. 最初の1987年にボストンで行われ、すでに述べたMascaradeのほか、Lancenによっていくつかの組成物は、いずれか初演されたか、別のWASBE会議で行われる. Festival - Kerkrade was played by the Le Havre Municipal Band, conducted by Claude Decugis, at Skien, Norway on 14 July 1983. the Symphonie de l'Eau was premiered by the Musique de la Police Nationale. 警察庁·バンド. 、1985年7月17日にコルトレイク、ベルギーでピエール·ビゴが行っ. the Ouverture pour un matin d'Automne was played by the Senior Musicians Band of the Netherlands, conducted by Henk van Lijnschooten at Kerkrade on 20 July 1989, whereas the Manhattan Symphony was played by the Musique de l'Air de Paris. 校長フランス空軍バンド. conducted by Francois-Xavier Bailleul on 21 July 1989 during the same Kerkrade conference. クラリネットと吹奏楽のためのソナタタンテはバレンシア、スペイン、オーボエ協奏曲で1993年7月14日にクラリネット奏者マークVertessenとリールコンサートバンドによって行われたのと同じベルギーのバンドによって演奏された. renamed "Concert Band for Flanders". シュラートミンク、オーストリアで1997年7月8日に. セルジュLancen風バンドの伴奏で、いくつかの協奏曲を書いた. まず2ピアノ協奏曲があります. Parade Concerto. 1971. ピアノのピエールNimaxとエシュ·シュル·アルゼット市バンドによる初演. ルクセンブルク. 、1972年4月6日に、ジョージ·ワグナーが実施. セルジュLancenは、多くの場合、自分がその協奏曲を演奏. 彼は1973年にワシントンDCでアメリカ空軍バンドを行っ月Molenaarのでやったし、まさにその同じ年パデュー大学吹奏楽を行っ月Molenaarのとそれを記録し、1971年に彼が行った、ロイヤル·ダッチ·ミリタリーバンドKMKとそれを記録していたアンポスチューマスによる. コンチェルト·ド·パリは、MolenaarのEditionの50周年を祝うコンサート中ザーンダムで1983年11月25日にヤン·ファン·Ossenbruggenが行った作曲家、ロイヤル·ダッチ·ミリタリーバンドKMKによって初演された. その後シンフォニックバンドと異なるソロ楽器のための協奏曲もあります. Dedicace. 1974. for alto saxophone solo and wind band was premiered by Jaques Desloges and the Musique de la Police Nationale, conducted by Michel Mariot, during the 4th World Saxophone Congress at Bordeaux, France in 1974. 次の既述のソロ作品に、トロンボーンのための協奏曲もあります. 1988. 、フレンチホルンのための. 1991. とハープと吹奏楽のための. 1990. これらのすべてのソロ作品は音楽のブラバント音楽院の吹奏楽によって記録されています. オランダ. 、ヤンCoberが実施. "Masterpieces for Band 3". MolenaarのMBCD 31.1016.72. and "Masterpieces for Band 11". MolenaarのMBCD 31.1040.72. それは知ることも非常に面白いとオーボエ協奏曲. 1991. 実際にハーモニカと交響楽団のための協奏曲の新しいバージョンだった. 1954. 委託しても、バーミンガムタウンホールでラリー·アドラーによって初演され、ルドルフ·シュワルツ実施. 作曲家は、常に彼の宗教的な組成物のための好みを表明している. The first one he wrote was Poeme Ecumenique. 1975. 聖書から抜粋したテキストに基づいて. 詩篇8、23、100および150. 、元の言語での祈りの書籍から. ラテン語、フランス語、スラヴ語、ヘブライ語. そして、個々の祈りから. The finale is the Hymne de Fraternite written by Roger Thirault. この宗教的な組成物は、1975年10月12日にランのノートルダム大聖堂で初演、オーケストラのために書かれており、. または風のバンド、ソリストと合唱団. 第二の宗教的な組成物は、荘厳ミサ曲です. 1985. for vocal soloist, choir and symphonic band it is dedicated to late Pope John Paul II and was premiered by the Royal Wind Band of Thorn, conducted by Jan Cober, at the Our Lady's Basilica of Maastricht, The Netherlands, on 27 May 1989. その後、我々はテ·デウムを持っている. 1991. テナー、バリトン歌手、男性の合唱団とウィンド·アンサンブルのための. 14楽器. かつてパリ枢機卿Lustigerに専念. 最後にクレドがあります. 1994. for mixed choir and symphonic band, commissioned to be included in the "Missa Solemnis" and premiered in the church "Eglise des Francaises" at Bolzano, Italy, by the choir and wind band of Zwolfmalgreien conducted by Markus Silbernagl on 19 March 1995. セルジュLancenが後でシンフォニックバンド組成物の中で、我々はZwiefache交響を言及する必要があります. 1994. 、ミュージシャンのための賛歌. 1995. , Jour de Fete. 1995. , Jubila. 1996. そしてカンタータEspaces Harmoniques. 1995. for soloist, mixed choir, children's choir and symphonic band, commissioned by the city of Blois for the commemoration of the diocese. This cantata was premiered at the Basilica "Notre-Dame de la Trinite" at Blois in 1997 Vincent Ries conducting. Some time later, Serge Lancen's health got more and more fragile. He did no longer compose and lived quietly surrounded by the loving care of his wife Raphaelle. 彼は日曜日2005年6月10日に平和的に死亡し、現在はパリのモンパルナス墓地にかかっている. セルジュを満たすためにラッキーだったすべての人々が定期的に我々はまた、彼の作曲で背中を見つける彼の区別は、彼の繊細さ、彼のバランスのとれたビジョンと彼の誠実さ、特性によって触れた. This 'gentleman of French wind band music' was welcome all over the world when attending premiere performances, concerts, recording sessions or simple rehearsals, everybody appreciating the amiability and simplicity of this great Master who deeply respected the amateur musicians.