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原文

Missa Millennia in Honor of St. Francis. SATB. Choir sheet music. Advanced.

翻訳

聖フランチェスコの名誉ミサミレニア. SATB. 合唱楽譜. 高度な.

原文

Missa Millennia in Honor of St. Francis. SATB. composed by Curtis Hanson. For Choir, SATB. Christian, Sacred. Advanced. Published by Curtis Hanson. S0.24678. "The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe. full score and instrumental parts available separately. , the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary. Kyrie. Lord, have mercy. , Gloria. Glory to God in the highest. , Credo. the Nicene Creed. , Sanctus â“ Benedictus. Holy, holy, holy â“ Blessed is he who comes in the name of the Lord. , and Agnus Dei. Lamb of God. In the final movement, the Prayer of St. Francis of Assisi. âœLord, make me an instrument of thy peaceâ. concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement. organum. , and canonic imitation from the Middle Ages and Renaissance. fugue, word-painting, terraced dynamics, ostinato. a repeated rhythmic or bass accompaniment. , Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, DuruflÃ, and others. In the audio file, the 2nd movement. Gloria. can be found at approximately 6'25"", the 3rd movement. Credo. at 12'05"", the 4th movement. Sanctus. at 21'15"", and the final movement. Agnus Dei. at 31'05"". The complete Mass is approximately 43 minutes long. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

翻訳

聖フランチェスコの名誉ミサミレニア. SATB. カーティス·ハンソン作曲. 合唱団、SATBください。クリスチャン、聖なる. 高度な. カーティス·ハンソン発行. S0.24678. "The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe. full score and instrumental parts available separately. それは前の千年の音楽のスタイル、特性、およびフォームの多くの同化があるように、仕事はそんなに新しい千年紀のお祝いではない. 全体作品は伝統的なミサ、中世に起源を持つ音楽形式の形態であり、一般的にミサ通常で見つかった5の動きに分かれています. キリエ求憐誦. 主は、慈悲を. グロリア. 最高の神に栄光. 、私は思う. ニカイア信条. , Sanctus â“ Benedictus. Holy, holy, holy â“ Blessed is he who comes in the name of the Lord. 、そして、アニュス·デイ. 神の子羊. 最後の動き、アッシジの聖フランチェスコの祈り. âœLord, make me an instrument of thy peaceâ. 仕事を終える. 全体としてのミサミレニアが明らかに現代のですが、多くの以前の音楽の期間からの要素は、動きに組み込まれている. これらには、聖歌、オープン5番目と平行に第五次高調波の動きを含める. オルガヌム. 、とカノン模造中世とルネサンスから. フーガ、ワード絵画、段々ダイナミクス、オスティナート. 繰り返しリズミカルやベース伴奏. 、アルベルティ低音伴奏フィギュア、ABAフォーム、および名前が、いくつかのバロックとクラシック音楽の典型的なドミナントトニック高調波の関係. その他の重要な機能には、悲しげなソロオーボエで、ペダル点のメロディーとハーモニー進化上の低音の持続的なトーン非西洋モダリティの使用法である. 持続低音、音楽史全体で使用される組成のツールは、聖フランシスコの頃中世にさかのぼる. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, DuruflÃ, and others. オーディオファイルでは、第2楽章. グローリー. can be found at approximately 6'25"", the 3rd movement. クリード. at 12'05"", the 4th movement. サンクトゥス. at 21'15"", and the final movement. アニュス·デイ. at 31'05"". 完全な質量は、約43分の長さ. デジタルプリントは、いつでもどこでも利用可能な印刷可能な楽譜です. ただ購入、印刷、およびプレイ. 家庭、学校、職場であなたのオンライン楽譜を表示したり、どこでもインターネットに接続されたコンピュータを持っている. 外出先であなたのデジタル楽譜を表示するには、私たちのiPadアプリを使う. デジタルプリントを使用すると、購入後すぐにあなたのデジタル楽譜を印刷することができ、あるいはその便利なまで待つ. そして、我々のソフトウェアのインストールは簡単です - 私たちは確かにAdobe Flashは、Adobe AIRおよび楽譜プラスAIRアプリケーションがあることを確認するための簡単​​な手順をガイドします.