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原文

Masada. Ralph Hultgren. Grade 5.

翻訳

Masada. ラルフHultgren. 5年生.

原文

Masada composed by Ralph Hultgren. For concert band. Brolga Music Symphonic Repertoire. Grade 5. Score and set of parts. Duration 11. 10. Published by Brolga Music Publishing Company. BL.BMC034. ISBN M720038590. Masada is an ancient fortress positioned on top of a giant mesa close to the southeast corner of the Dead Sea. It has become a symbol of national heroism for the Jewish nation. "Masada" means stronghold or fortress. King Herod the Great fortified Masada during his reign. 37 - 4 BC. The construction included heave walls as fortification, a system of aqueducts and water cisterns, and two ornate palaces. After the fall of Jerusalem in 70 AD, the Jewish zealots garrison at Masada, led by Eleazar ben Jair, refused to surrender to the Romans who then laid siege to the fortress. The Roman legion X Fretensis, commanded by Flavius Silva and number almost 15 000, took almost two years to subdue the zealot garrison of less than 1 000, including women and children. An earthen ramp was built to the top of the mesa and the attacking forces set fire to the wooden walls. Eleazar exhorted his followers to not allow themselves to be taken prisoner by the Romans. After feed their valuable to the growing fire at the walls, lots were drawn and ten men were chosen to slay all the others. When that had been accomplished they drew lots once more, and one was chosen to kill the other nine and finally take his own life. Seven women and children hid in a water conduit and lived to tell the story of the zealots' pact. This work is unashamedly programmatic and seeks to portray both the fervent spirituality and nationalism of the zealots and the power and majesty of Rome. Both protagonist and antagonist are to be found in the Jewish and Roman positions. Context defines which term best describes either side and the juxtaposition of musical material in this work allows the listener to hear both separately and then joined in combat, as it were. As a composer I am drawn to the fervour and passion of the zealots. They were committed to their ideals and they wanted to restore Jewish rule to Israel. Yet, I cannot help but think that Flavius Silva was just doing his job. He was attempting to subdue a revolt in a small, isolated part of a large empire, an empire to which we can trace back many of our civilisation's social and cultural structures. The work ends in a fervent Hebrew style dance in conflict with the powerful legion motifs. The listener can decide if the power of the passion conquer or are conquered. Whether I, as a composer, have decided, is an interesting question. -Ralph Hultgren.

翻訳

Masada composed by Ralph Hultgren. コンサートバンドのための. ゴウシュウヅル音楽交響レパートリー. 5年生. スコアと部品のセット. 期間11. 10. ゴウシュウヅル音楽出版社から出版. BL.BMC034. ISBN M720038590. マサダは、死海の南東隅に巨大なメサの近くの上に配置古代の要塞です。それは、ユダヤ民族のための国家英雄のシンボルとなっている. "Masada" means stronghold or fortress. ヘロデ王グレートは彼の統治の間にマサダ要塞化. 37から4紀元前. The construction included heave walls as fortification, a system of aqueducts and water cisterns, and two ornate palaces. 70 ADにおけるエルサレムの崩壊後、マサダでのユダヤ人の狂信者の駐屯地は、エレアザルベンヤイル率いる、そして要塞を包囲し、ローマ人に降伏することを拒否. The Roman legion X Fretensis, commanded by Flavius Silva and number almost 15 000, took almost two years to subdue the zealot garrison of less than 1 000, including women and children. 土製ランプがメサの頂上に建てられた、攻撃力が木製の壁に火を. エレアザル自体はローマ人によって捕虜にされることを可能にしないように彼の信者を勧めた. 後に、壁で成長して火災に貴重なフィードロット描かれ、10人が他のすべてを殺すために選択された. それが達成されていたとき、彼らはもう一度多くを描き、1は、他の9を殺し、最後に自分の命を取ることを選択しました. Seven women and children hid in a water conduit and lived to tell the story of the zealots' pact. この作品は、臆面もなくプログラム的で熱烈な精神性と狂信者のナショナリズムと、ローマの力と威厳の両方を描くことを目的と. 主人公とアンタゴニストの両方は、ユダヤ人やローマの位置で発見される. Context defines which term best describes either side and the juxtaposition of musical material in this work allows the listener to hear both separately and then joined in combat, as it were. 作曲家として、私は、狂信者の情熱と情熱に惹かれる. 彼らは彼らの理想にコミットされた、彼らはイスラエルにユダヤ人のルールを復元したいと思った. しかし、私は助けることがフラウィウス·シルバはちょうど彼の仕事をしていたことを考えることはできません. He was attempting to subdue a revolt in a small, isolated part of a large empire, an empire to which we can trace back many of our civilisation's social and cultural structures. 作品は、強力な軍団モチーフと競合して熱烈なヘブライ語のスタイルのダンスで終わる. 情熱の力は征服や征服している場合は、リスナーが決めることができます. 私は、作曲家として、決定しているかどうか、興味深い質問です. - ラルフHultgren.