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原文

Reminiscences. Hans-Martin Linde. Recorder sheet music.

翻訳

思い出. ハンス·マルティンリンデ. レコーダー楽譜.

原文

Reminiscences. for Recorder Quartet. Composed by Hans-Martin Linde. 1930-. For Recorder Quartet. Originalmusik fur Blockflote. Recorder Library. Score and Parts. 43 pages. Schott Music #OFB202. Published by Schott Music. HL.49011310. Hans-Martin Linde. 1930. is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A. treble. B, uses musical themes from the 15th to 17th Centuries. from a “Prélude à l'imitation” by Froberger, a melody by Claudio Saraceni “Da te parto”, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles” by Binchois and a ground bass from Purcell's harpsichord collection “Musik's Handmaid”. The composer writes. “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.

翻訳

思い出. リコーダー四重奏のための. ハンス·マルティンリンデ作曲. 1930 - . リコーダー四重奏のための. Originalmusik毛皮ブロックフレーテ. レコーダーライブラリ. スコアおよび部品. 43ページ. Schott Music #OFB202. ショットミュージックが発行. HL.49011310. ハンス·マルティンリンデ. 1930. is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A. トレブル. B, uses musical themes from the 15th to 17th Centuries. from a “Prélude à l'imitation” by Froberger, a melody by Claudio Saraceni “Da te parto”, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles” by Binchois and a ground bass from Purcell's harpsichord collection “Musik's Handmaid”. 作曲家は書いている. “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.