シートミュージック $16.00

原文

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

翻訳

Awatovi. ファゴット楽譜. クラリネットソロ楽譜.

原文

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

翻訳

ダニエル·ボールドウィンによって構成されるAwatovi. クラリネット、ファゴットのための. レベル5. 想像して音楽が公表. IG.CMS126. 彼らの最初の訪問者は1540年に到着する前にアリゾナ州に位置Awatovi遺跡は、450年以上前から存在し、かつて繁栄ホピの村だった. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatoviは、150年以上にわたって、その後スペイン人でかなり平和共存を楽しんだが、1700年で、最終的には伝統主義ホピと変換されたカトリック教徒間の衝突に来た. その結果、伝統が改宗者を虐殺して、村を破壊したということでした. 象徴的、村の秋は、ホピの生活の中でスペインの干渉の終わりを告げた. ファゴットによるオープニングラインはコロナド率いるもの最初の探検の混合意図を表し、スペイン語、ネイティブアメリカンの声の両方を伝えることを目的としている. また来て来て、将来のビジョン、美しい、まだ不毛の遺跡の忘れられない伏線です. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. コロナドの探査、競合がなかったわけではないが、私は彼の使命の平和的な性質に焦点を当てることを選択した. ここで二つのセクションがあります. 第二部は、彼らが、休んでおしゃべりし、歌を歌ったように旅は夜間のようであったかもしれないものを反映して、キャンプファイヤーの歌を示唆することを意図している間、両方のは、スペインの味ですが、最初の探査を表している. これは運動2につながる. キバ. The Kiva murals were discovered in theAwatovi ruins. 彼らはホピ部族の儀式や式典を表す絵です. I have used the style of NativeAmerican flute music to portray this. 次のビューグルコール、またはエルDeguelloがあり、表現やファゴットで演奏. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. 音楽は非常に不協和音と劇的な過渡的な通過によって描かれている実際の攻撃を、表現するために移動する. 最後に、バックホピの子孫にスペ​​インの征服者からの認識のズレを象徴異なるキー、、の開口部材料にキバサークル. Awatoviは私の良き友人リック·ジョーンズ提案で書かれていた、そしてリチャード·レイミーとオーボエとファゴットの選手のコンソーシアムによってサポートされていました. あなたのヴィジョンや本プロジェクトの支援のためのあなたのすべてに感謝します. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. クラリネット、ファゴット、ピアノバージョンは2012年7月9日にロバートとメアリーナンヨルダンオハイオ州のマイアミ大学で2012 IDRS会議で初演された.