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原文

Vincent Millay Cycle. 2010. for soprano and piano. Thomas Oboe Lee. Soprano Voice sheet music. Voice Solo sheet music. Piano Accompaniment sheet music. Advanced.

翻訳

ヴィンセントミレーサイクル. 2010年. ソプラノとピアノのための. トーマスオーボエリー. ソプラノの声楽譜. 音声ソロ楽譜. ピアノ伴奏楽譜. 高度な.

原文

Vincent Millay Cycle. 2010. for soprano and piano composed by Thomas Oboe Lee. For Piano, Voice. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.9564. Program note. Mary Hubbell was a student of mine at Boston College, a graduate of 1997. Mary had an active performing career at BC in theater and in music. After graduation she worked in the administrative offices of the Boston Symphony Orchestra. Eventually she decided to take the next step in her singing career. she applied to graduate school. After completing her Masterâs at University of California at Santa Barbara, she went to Holland to study at the Royal Conservatory in the Hague. She did a lot of contemporary music in the Netherlands, including opportunities to work with Louis Andriessen and Steve Reich. After four years in Europe she came back to the States, returning to her hometown in Charleston, SC. She had an active studio teaching voice and was quite content. I told her she should not get too settled into her comfortable Southern life, that she should move to New York City. She did and is now finishing her DMA in vocal performance at CUNY Graduate Center. When she told me she was planning a recital for her doctorate degree, I offered to write her a song cycle. Mary was thrilled. We had email exchanges about what text or poems to choose for the cycle. After dropping a few names, we decided on Edna St. Vincent Millay. For my research I read two biographies of the poet, one by Nancy Milford and the other by Daniel Epstein. The readings helped me decide on the six poems I chose from the mind-boggling amount of material Miss Millay had amassed from childhood until her death in 1950. Copyright  1923, 1928, 1939, 1940, 1951, 1955, 1967, 1968 by Edna St. Vincent Millay and Norma Millay Ellis. Text used by permission of Elizabeth Barnett and Holly Peppe, Literary Executors, the Millay Society. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

翻訳

ヴィンセントミレーサイクル. 2010年. トーマス·オーボエ·リー作曲ソプラノとピアノのための。ピアノのために、ボイス. バロック時代、古典期、ロマン主義時代、20世紀、21世紀. 高度な中級. スコア. トーマス·オーボエ·リーが公表. S0.9564. プログラムノート. Mary Hubbell was a student of mine at Boston College, a graduate of 1997. Mary had an active performing career at BC in theater and in music. After graduation she worked in the administrative offices of the Boston Symphony Orchestra. Eventually she decided to take the next step in her singing career. she applied to graduate school. After completing her Masterâs at University of California at Santa Barbara, she went to Holland to study at the Royal Conservatory in the Hague. She did a lot of contemporary music in the Netherlands, including opportunities to work with Louis Andriessen and Steve Reich. After four years in Europe she came back to the States, returning to her hometown in Charleston, SC. She had an active studio teaching voice and was quite content. I told her she should not get too settled into her comfortable Southern life, that she should move to New York City. She did and is now finishing her DMA in vocal performance at CUNY Graduate Center. When she told me she was planning a recital for her doctorate degree, I offered to write her a song cycle. Mary was thrilled. We had email exchanges about what text or poems to choose for the cycle. After dropping a few names, we decided on Edna St. Vincent Millay. For my research I read two biographies of the poet, one by Nancy Milford and the other by Daniel Epstein. The readings helped me decide on the six poems I chose from the mind-boggling amount of material Miss Millay had amassed from childhood until her death in 1950. Copyright  1923, 1928, 1939, 1940, 1951, 1955, 1967, 1968 by Edna St. Vincent Millay and Norma Millay Ellis. Text used by permission of Elizabeth Barnett and Holly Peppe, Literary Executors, the Millay Society. デジタルプリントは、いつでもどこでも利用可能な印刷可能な楽譜です. ただ購入、印刷、およびプレイ. 家庭、学校、職場であなたのオンライン楽譜を表示したり、どこでもインターネットに接続されたコンピュータを持っている. 外出先であなたのデジタル楽譜を表示するには、私たちのiPadアプリを使う. デジタルプリントを使用すると、購入後すぐにあなたのデジタル楽譜を印刷することができ、あるいはその便利なまで待つ. そして、我々のソフトウェアのインストールは簡単です - 私たちは確かにAdobe Flashは、Adobe AIRおよび楽譜プラスAIRアプリケーションがあることを確認するための簡単​​な手順をガイドします.