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原文

Nocturne et Rondo op. 71. Kurt Hessenberg. Horn sheet music. Piano Accompaniment sheet music.

翻訳

ノクターンとロンドOP. 71. クルト·ヘッセン. ホーン楽譜. ピアノ伴奏楽譜.

原文

Nocturne et Rondo op. 71. 4 composed by Kurt Hessenberg. For horn in F and piano. This edition. COR 20. Saddle-stitch. Brass. Wind Music. Il Corno. Grade 3-4. 16 pages. Duration 6 minutes, 30 seconds. Published by Schott Music. SD.49018929. ISBN 9790001170314. Even though the Frankfurt composer Kurt Hessenberg. 1908-1994. made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment. flute, oboe, clarinet, horn and bassoon. In 1962. 63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.

翻訳

ノクターンとロンドOP. 71. 4 composed by Kurt Hessenberg. Fホーンとピアノのための. このエディション. COR 20. 中綴じ. 真鍮. 吹奏楽. ホーン. グレード3-4. 16ページ. 期間6分、30秒. ショットミュージックが発行. SD.49018929. ISBN 9790001170314. でも、フランクフルト作曲家クルト·ヘッセンも. 1908-1994. made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. すべての彼の人生ヘッセンでは、これらのジャンルに忠実. 1958年と1963年の間に、彼はオーパス71にまとめ5ミニチュアを書き、その中で彼は、木管五重奏曲の5楽器は彼らの別々とピアノの伴奏で「言う」てみましょう. フルート、オーボエ、クラリネット、ホルンとファゴット. In 1962. 63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.