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原文

Marimba Heritage. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Timpani sheet music. Vibraphone sheet music. Xylophone sheet music.

翻訳

Marimba Heritage. グロッケンシュピール楽譜. マリンバ楽譜. パーカッション楽譜. ティンパニ楽譜. ビブラフォン楽譜. 木琴楽譜.

原文

Marimba Heritage composed by Mark Ford. Percussion Ensemble. For percussion ensemble. 4 marimbas. 2 low A, 1 low F, 1 five octave. , 2 vibraphones, xylophone, glockenspiel, timpani. Level 5. Score and set of parts. Published by Innovative Percussion. IP.E-MF-HER. Composer's notes. Marimba Heritage is an original composition that honors the history of solo marimba literature. Motives from many well-known marimba solos are woven into this new composition. While I considered numerous marimba works as I prepared to compose, the list below represents the marimba solos that inspired this music. All of these benchmark works were pivotal in guiding the pedagogical. artistic path of solo marimba literature. Marimba Heritage was commissioned by Dr. Brett Dietz and the Louisiana State University Percussion Ensemble and premiered at LSU on March 29, 2009. The work features the power and energy of marimba music that has inspired thousands of percussionists for more than 60 years. "As the title suggests, this new work for percussion ensemble guides listeners through a collection of musical vignettes as it honors the history of solo marimba literature by incorporating motives from marimba works that are considered standards in the genre. The piece is scored for eight percussionists and requires two low-A marimbas, one low-F marimba, one 5.0-octave marimba, two vibraphones, one xylophone and a set of bells. played by one player. , and one set of timpani. Throughout this seven-minute work, Ford quotes such familiar pieces as "Furioso and Valse" by Hatch, "Etude in C Major" by Musser, and "Velocities" by Schwanter. At no time do these musical quotes seem hokey or tawdry. this composition comes across quite tastefully as it pays homage to these "benchmark works that were pivotal in guiding the pedagogical. artistic path of solo marimba literature. " All four marimba players must be well versed in four-mallet technique and musicianship to achieve performance success, but not necessarily familiar with the pieces that are quoted. The remaining players serve primarily as reinforcement, harmony, or countermelody as the marimbists effectively lead the performers, as well as the audience, through the musical voyage. This work will appeal to a broad spectrum of listeners and is sure to become a standard in percussion ensemble repertoire. " - Joshua D. Smith, Percussive Notes, September 2010.

翻訳

Marimba Heritage composed by Mark Ford. パーカッションアンサンブル. 打楽器アンサンブルのための. 4 marimbas. 2 low A, 1 low F, 1 five octave. , 2 vibraphones, xylophone, glockenspiel, timpani. レベル5. スコアと部品のセット. 革新的なパーカッションが発行. IP.E-MF-HER. Composerの注意事項. Marimba Heritage is an original composition that honors the history of solo marimba literature. Motives from many well-known marimba solos are woven into this new composition. While I considered numerous marimba works as I prepared to compose, the list below represents the marimba solos that inspired this music. All of these benchmark works were pivotal in guiding the pedagogical. ソロマリンバ文学の芸術的パス. Marimba Heritage was commissioned by Dr. Brett Dietz and the Louisiana State University Percussion Ensemble and premiered at LSU on March 29, 2009. The work features the power and energy of marimba music that has inspired thousands of percussionists for more than 60 years. "As the title suggests, this new work for percussion ensemble guides listeners through a collection of musical vignettes as it honors the history of solo marimba literature by incorporating motives from marimba works that are considered standards in the genre. The piece is scored for eight percussionists and requires two low-A marimbas, one low-F marimba, one 5.0-octave marimba, two vibraphones, one xylophone and a set of bells. 一人のプレイヤーが演じる. , and one set of timpani. Throughout this seven-minute work, Ford quotes such familiar pieces as "Furioso and Valse" by Hatch, "Etude in C Major" by Musser, and "Velocities" by Schwanter. At no time do these musical quotes seem hokey or tawdry. this composition comes across quite tastefully as it pays homage to these "benchmark works that were pivotal in guiding the pedagogical. ソロマリンバ文学の芸術的パス. " All four marimba players must be well versed in four-mallet technique and musicianship to achieve performance success, but not necessarily familiar with the pieces that are quoted. The remaining players serve primarily as reinforcement, harmony, or countermelody as the marimbists effectively lead the performers, as well as the audience, through the musical voyage. This work will appeal to a broad spectrum of listeners and is sure to become a standard in percussion ensemble repertoire. " - Joshua D. Smith, Percussive Notes, September 2010.