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原文

Extreme Make-Over. Johan De Meij.

翻訳

エクストリームメイクオーバー. Johan De Meij.

原文

Extreme Make-Over. Metamorphoses on a Theme by Tchaikovsky for Brass Band. Composed by Johan De Meij. For Brass Band. Score. Amstel Music. Grade 4-5. 90 pages. Amstel Music #AM78. Published by Amstel Music. HL.4000196. This new work by Johan de Meij consists of a set of metamorphoses on a theme from Tchaikovsky's well-known Andante cantabile. from String Quartet No.1 in D. Tchaikovsky stated, “Never have I been so proud of my creative powers as when Leo Tolstoy sat in the chair next to mine listening to my Andante , and the tears ran down his cheeks. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. The following movement features the playing of tuned bottles, leading into an extensive marimba solo. This joins seamlessly to the finale, a canonic treatment of the theme, leading to a festive conclusion.

翻訳

エクストリームメイクオーバー. Metamorphoses on a Theme by Tchaikovsky for Brass Band. ヨハン·デ·Meij作曲. ブラスバンド. スコア. アムステル音楽. グレード4-5. 90ページ. Amstel Music #AM78. Published by Amstel Music. HL.4000196. ヨハン·デ·Meijによるこの新作は、チャイコフスキーの有名なアンダンテカンタービレのテーマに変容のセットで構成されてい. from String Quartet No.1 in D. チャイコフスキーは、私はトルストイが私のアンダンテを聞いて私の物の隣の椅子に座って、涙が彼の頬を実行したときのように、私の創造力を誇りになったことがない」と述べた. ” De Meij states the theme, followed by the first metamorphosis, which emanates from a single tone. There is a transition to Alla Marcia , which is in a neo-classical style. 次の動きは、大規模なマリンバのソロに通じる、調整されたペットボトルの再生を備えています. これはお祝いの結論につながる、フィナーレ、テーマのカノン治療にシームレスに参加する.