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原文

Jump Caprice. Benny Goodman. Guitar sheet music. B-Flat Trumpet sheet music. Clarinet Solo sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

翻訳

Jump Caprice. ベニー·グッドマン. ギターの楽譜. 変ロトランペット楽譜. クラリネットソロ楽譜. ドラム楽譜. パーカッション楽譜. ピアノの楽譜. トロンボーン楽譜. 高度な.

原文

Jump Caprice by Benny Goodman. By Mary Lou Williams. Edited by Jeffrey Sultanof. Arranged by Mary Lou Williams. For big band. Clarinet Soloist, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for Benny Goodman. Swing. Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8820. Williams wrote Camel Hop and Roll 'Em for Benny Goodman while she was still with Andy Kirk's band, and in late 1946, Williams started writing for him again. At the time, he had his own radio show with pianist Victor Borge, and in 1947, he would begin a new recording contract with Capitol Records. Goodman recorded Williams's Lonely Moments and Whistle Blues. She also wrote this arrangement of Jump Caprice. however, it was not played. It is probable that this piece was a bit too hip for him, although by 1948, Mary Lou would write several boppish arrangements for a Goodman small group with Benny and Stan Hasselgard. the group also included tenor saxophonist Wardell Gray. This is a straight forward blues with lots of altered harmonies typical of the bop style of the forties. It can be opened up for solos.

翻訳

Jump Caprice by Benny Goodman. メアリールー·ウィリアムズ. ジェフリーSultanofが編集. メアリールーウィリアムス編曲. ビッグバンドのための. Clarinet Soloist, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for Benny Goodman. スイング. 難しい. スコアと部品. ジャズ·ラインズ出版から出版. JL.JLP-8820. 彼女はアンディ·カークのバンドでまだあったウィリアムズは、ベニー·グッドマンのためにラクダホップ·ロール·エムを書いたし、後半に1946年、ウィリアムズが再び彼のために書き始めた. 一度、彼はピアニストビクターボルゲと彼自身のラジオ番組を持っていた、と1947年に、彼はキャピトルレコードを持つ新しいレコーディング契約を始める. Goodman recorded Williams's Lonely Moments and Whistle Blues. She also wrote this arrangement of Jump Caprice. however, it was not played. It is probable that this piece was a bit too hip for him, although by 1948, Mary Lou would write several boppish arrangements for a Goodman small group with Benny and Stan Hasselgard. the group also included tenor saxophonist Wardell Gray. This is a straight forward blues with lots of altered harmonies typical of the bop style of the forties. It can be opened up for solos.