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原文

Polonaises Series B. Published Posthumously. Frederic Chopin. Piano Solo sheet music.

翻訳

ポロネーズシリーズB. 死後に出版. フレデリック·ショパン. ピアノソロ楽譜.

原文

Polonaises Series B. Published Posthumously. Chopin National Edition. Composed by Frederic Chopin. 1810-1849. Edited by Jan Ekier. For Piano. PWM. Softcover. 88 pages. Polskie Wydawnictwo Muzyczne #51600018. Published by Polskie Wydawnictwo Muzyczne. HL.132302. ISBN 8392036565. 9.25x12 inches. All of the Polonaises included in this volume were written during Chopin's childhood and youthful years, through to the earliest of the Polonaises prepared personally for printing by the composer. op. 22 and 26. This strict division into two groups has no correlation with other Chopin categories. Mazurkas or Waltzes not published by Chopin came into being during his entire period of creative activity at the same time as those he made for publication. Both groups of Polonaises complement each other in a particular way, together giving an understandable cross-section of the whole of Chopins creativity from Polonaise B WN1, being his first surviving compositional attempt for the Polonaise-Fantasy op. 61, which belongs to the group of masterpieces crowning his last creative period. The collective publication of his Polonaises till now, which present them in the order of finding and publication gives, from this perspective, a totally chaotic impression. from source commentary.

翻訳

ポロネーズシリーズB. 死後に出版. ショパンナショナル·エディション. フレデリック·ショパン作曲. 1810-1849. ヤンエキエルが編集. ピアノのための. PWM。ソフトカバー. 88ページ. Polskie Wydawnictwo Muzyczne #51600018. Published by Polskie Wydawnictwo Muzyczne. HL.132302. ISBN 8392036565. 9.25x12インチ. All of the Polonaises included in this volume were written during Chopin's childhood and youthful years, through to the earliest of the Polonaises prepared personally for printing by the composer. op. 22 and 26. This strict division into two groups has no correlation with other Chopin categories. Mazurkas or Waltzes not published by Chopin came into being during his entire period of creative activity at the same time as those he made for publication. Both groups of Polonaises complement each other in a particular way, together giving an understandable cross-section of the whole of Chopins creativity from Polonaise B WN1, being his first surviving compositional attempt for the Polonaise-Fantasy op. 61, which belongs to the group of masterpieces crowning his last creative period. The collective publication of his Polonaises till now, which present them in the order of finding and publication gives, from this perspective, a totally chaotic impression. from source commentary.