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原文

Fantasia in G minor and Fuga in G major, Sonata Movement. Grave and Presto. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42. Wolfgang Amadeus Mozart. Piano sheet music.

翻訳

ト長調、ソナタ運動中のG短調ファンタジアとフーガ. 墓とプレスト. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42. モーツァルト. ピアノの楽譜.

原文

Fantasia in G minor and Fuga in G major, Sonata Movement. Grave and Presto. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42 composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Michael Topel. Arranged by Michael Topel. For 2 pianos. This edition. 2nd printing 2011 edition. Stapled. Performance score. Language. German. English. KV Anh. 32, KV Anh. 45, KV Anh. 42. 33 pages. Published by Baerenreiter Verlag. BA.BA9638. ISBN 9790006539611. With Language. German. English. 31 x 24.3 cm inches. Of Mozart's many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a completion. In the case of these two completions for two pianos, the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way completions are achieved which are based solely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart's two existing works for this combination. The editor took Abbe Maximilian Stadler's sensitive completion of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos. K. deest. as a model for his completion.

翻訳

ト長調、ソナタ運動中のG短調ファンタジアとフーガ. 墓とプレスト. in B-flat major for two Pianos, KV Anh. 32, KV Anh. 45, KV Anh. 42 composed by Wolfgang Amadeus Mozart. 1756-1791. マイケルTopelによって編集. マイケルTopel編曲. 2台のピアノのための. このエディション. 第二印刷2011年版. ホチキス. パフォーマンススコア. 言語. ドイツ語. 英語. KV Anh. 32, KV Anh. 45, KV Anh. 42. 33ページ. Baerenreiterフェアラークが発行. BA.BA9638. ISBN 9790006539611. 言語に. ドイツ語. 英語. 31 X 24.3センチメートルインチ. Of Mozart's many fragmentary works, it is the Requiem which stands out, but there are many other fragments in his large compositional output which can ideally be used as a basis for a completion. In the case of these two completions for two pianos, the editor has drawn on thematically suitable fragments from Mozart's piano solo repertoire and has arranged them for two pianos. In this way completions are achieved which are based solely on authentic material. The result of this creative exercise is two new, highly effective concert works for two pianos, offering a valuable addition to Mozart's two existing works for this combination. The editor took Abbe Maximilian Stadler's sensitive completion of Mozart's fragmentary Larghetto and Allegro in E-flat major for two pianos. K. deest. as a model for his completion.