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原文

Gesamtausgabe Band 3. Kammermusik. Duette, Solo- und Triosonaten. Wilhelm Friedemann Bach.

翻訳

完全版第3巻. 室内楽. デュエット、ソロとトリオソナタ. ヴィルヘルム·フリーデマン·バッハ.

原文

Gesamtausgabe Band 3. Kammermusik. Duette, Solo- und Triosonaten. composed by Wilhelm Friedemann Bach. 1710-1784. Edited by Peter Wollny. This edition. Complete edition, linen cover. Wilhelm Friedemann Bach Complete Edition. Edition Bach-Archiv Leipzig - Musical Monuments. German title. German title. Duette,Solo-Triosonaten. Complete edition. 168 pages. Published by Carus Verlag. CA.3200300. ISBN M-007-09406-5. Chamber music played an important role in the creative output of W. F. Bach, even though the surviving body of his works is not large. The duets, flute sonatas and trio sonatas originated primarily in Dresden. 1733-1746. during the years of his first mastery as an organist-equally under the influence of the works of his father and the leading composers of the Court of Dresden at that time-and also during the late years of his life in Berlin. Inspite of their high technical demands, these are in no way merely brilliant show pieces, rather they consistently demonstrate an extraordinarily sophisticated compositional working out of musical material which raises them far above the niveau of their time. For the first time in recent times editions of the Trio in B flat major in the original version for two violins, and the Trio in B major for violin and obbligato harpsichord are now available.

翻訳

完全版第3巻. 室内楽. デュエット、ソロとトリオソナタ. ヴィルヘルム·フリーデマン·バッハが作曲. 1710-1784. ピーターウォルニーが編集. このエディション. 完全版、リネンカバー. ヴィルヘルム·フリーデマン·バッハ完全版. 版バッハ資料館ライプツィヒ - ミュージカル記念碑. ドイツ語タイトル. ドイツ語タイトル. Duette,Solo-Triosonaten. 完全版. 168ページ. カルスフェアラークが発行. CA.3200300. ISBN M-007-09406-5. Chamber music played an important role in the creative output of W. F. Bach, even though the surviving body of his works is not large. The duets, flute sonatas and trio sonatas originated primarily in Dresden. 1733-1746. during the years of his first mastery as an organist-equally under the influence of the works of his father and the leading composers of the Court of Dresden at that time-and also during the late years of his life in Berlin. Inspite of their high technical demands, these are in no way merely brilliant show pieces, rather they consistently demonstrate an extraordinarily sophisticated compositional working out of musical material which raises them far above the niveau of their time. For the first time in recent times editions of the Trio in B flat major in the original version for two violins, and the Trio in B major for violin and obbligato harpsichord are now available.