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原文

Sacra et litaniae - pars VI. Voice sheet music. Choir sheet music. Trombone sheet music. Organ Accompaniment sheet music.

翻訳

サクラとLitaniae - PARS VI. 声楽譜. 合唱楽譜. トロンボーン楽譜. オルガン伴奏楽譜.

原文

Sacra et litaniae - pars VI. Missa pro defunctis. Composed by Adam Vaclav Michna z Otradovic. Edited by V. Belsky. Jiri Sehnal. For singing voice, mixed choir, basso continuo, organ. 3 Trombones. Solo Singing voice. Mixed Choir. ATB. Basso continuo. Organ. This edition. Complete edition. Adam Vaclav Michna. Compositiones 11. Classical. Complete edition, Score. Language. Latin, Text Language. Czech. German. English. Published by Editio Baerenreiter Praha. PA.H7996. ISBN 9790260104013. With Language. Latin, Text Language. Czech. German. English. Classical. 31 x 23.7 cm inches. Until recently, Adam Michna z Otradovic was known solely as a major Czech Baroque poet, and the composer of church songs to his own texts. With the series of his edited works, Adam Michna z Otradovic - Compositiones, started in 1989, however, he has been presented - for the first time in the modern times, and in the form of a critical edition - also as an outstanding composer of liturgic forms. Of the nine compositions contained in his collection, Sacra et litaniae. publ. 1654. , this new edition has already brought out five of its six masses. The last of the masses, Missa pro defunctis. Requiem. , is a work embued with calm, reconciled grief. In contrast to Michna's previous output, it is virtually free from the standard Baroque-style rhetorics, instead running its course largely in the polyphonic stile antico. The combination. S,A,T,B soli, coro, 2 violins, 3 trombones, organ. basso continuo. The mass may likewise be performed by a chamber-format choir. The ideal solution would involve, in compliance with the 17th-century practice, having both the solo and choir soprano and contralto parts sung by boys' voices. The score is also suitable for use as performing material for singers.

翻訳

サクラとLitaniae - PARS VI. ミサプロdefunctis. Composed by Adam Vaclav Michna z Otradovic. V.ベルスキーが編集. Jiri Sehnal. For singing voice, mixed choir, basso continuo, organ. 3トロンボーン. ソロ歌声. 混声合唱. ATB. 通奏低音. オルガン. このエディション. 完全版. アダムヴァーツラフ·アダム·ヴァーツラフ·ミフナ. Compositiones 11. クラシカル. 完全版、スコア. 言語. ラテン、テキスト言語. チェコ語. ドイツ語. 英語. 枚組みBaerenreiterプラハから出版. PA.H7996. ISBN 9790260104013. 言語に. ラテン、テキスト言語. チェコ語. ドイツ語. 英語. クラシカル. 31 X 23.7センチメートルインチ. Until recently, Adam Michna z Otradovic was known solely as a major Czech Baroque poet, and the composer of church songs to his own texts. With the series of his edited works, Adam Michna z Otradovic - Compositiones, started in 1989, however, he has been presented - for the first time in the modern times, and in the form of a critical edition - also as an outstanding composer of liturgic forms. Of the nine compositions contained in his collection, Sacra et litaniae. publ. 1654. , this new edition has already brought out five of its six masses. The last of the masses, Missa pro defunctis. レクイエム. , is a work embued with calm, reconciled grief. In contrast to Michna's previous output, it is virtually free from the standard Baroque-style rhetorics, instead running its course largely in the polyphonic stile antico. The combination. S,A,T,B soli, coro, 2 violins, 3 trombones, organ. 通奏低音. The mass may likewise be performed by a chamber-format choir. The ideal solution would involve, in compliance with the 17th-century practice, having both the solo and choir soprano and contralto parts sung by boys' voices. The score is also suitable for use as performing material for singers.