シートミュージック $34.65

原文

RR Bennett. Concerto For Marimba & Chamber Orchestra. Marimba and Piano Reduction. Sheet Music. Marimba, Piano. MAR. PF. Richard Rodney Bennett.

翻訳

RRベネット. マリンバのための協奏曲. マリンバとピアノの削減. シートミュージック. Marimba、Piano. MAR. PF. リチャード·ロドニー·ベネット.

原文

Contemporary marimba virtuoso William Moersch has consistently commissioned the best musicians possible to create works for his instrument. In 1984, Bennett wrote his first work for Moersch, After Syrinx II, based on Debussy’s Syrinx for Flute solo and written. Then in 1988 Richard Rodney Bennett agreed to create an ‘American’ concerto, and so composed this concerto in two movements – I con moto and II con brio – that display the versatility of the instrument. Both movements feature blazing cadenzas by the marimba, but it is in the cadenza in the second movement that the marimba essentially becomes the entire Orchestra in the Orchestra’s dominant 6. 8 time signature and leads the piece on to a brilliant ending. Composer, performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores. Murder on the Orient Express, Nicholas and Alexandra. as well as his works for children and his religious pieces. In addition, this markedly versatile musician frequently performed as a jazz pianist. On his move to the United States, the two sponsors for his green card. work permit. were Leonard Bernstein and Stephen Sondheim.

翻訳

Contemporary marimba virtuoso William Moersch has consistently commissioned the best musicians possible to create works for his instrument. In 1984, Bennett wrote his first work for Moersch, After Syrinx II, based on Debussy’s Syrinx for Flute solo and written. Then in 1988 Richard Rodney Bennett agreed to create an ‘American’ concerto, and so composed this concerto in two movements – I con moto and II con brio – that display the versatility of the instrument. Both movements feature blazing cadenzas by the marimba, but it is in the cadenza in the second movement that the marimba essentially becomes the entire Orchestra in the Orchestra’s dominant 6. 8 time signature and leads the piece on to a brilliant ending. 作曲、演奏者や編曲者リチャード·ロドニー·ベネットは、国際的に彼の深刻な音楽と、多くの賞を受賞したフィルムスコアのために尊敬されていた. オリエント急行、ニコライとアレクサンドラ上の殺人. 同様に子供のための彼の作品と彼の宗教的な作品として. また、この著しく多目的なミュージシャンは頻繁にジャズピアニストとして実行. 米国、彼のグリーンカードのための2つのスポンサーへの彼の移動中の. 労働許可. レナード·バーンスタインとスティーヴン·ソンドハイムであった.