シートミュージック $12.55

原文

Nico Muhly. My Days. Full Score. Sheet Music. Viol. Quintet. ATB. Quintet. VIOL. ATB. Nico Muhly.

翻訳

ニコMUHLY. 私の日. フルスコア. シートミュージック. レイプ. クインテット. ATB. クインテット. VIOL. ATB. ニコMUHLY.

原文

Nico Muhly 's My Days for ATTB choir and five Viola Da Gambas. Full score. This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall, October 2, 2012. ' My Days is a ritualised memory piece about Orlando Gibbons. 1583-1625. , written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork, and vocalists to singlike the Hilliard Ensemble, so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39, which Gibbons himself set, as well as an account of Gibbons's own autopsy, which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music, but made, somehow, electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions, and many ornaments. In between iterations, the voices, in rhythmic unison, intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate, ‘Gibbonsy’ verses and responses. A series of semiimprovisedfragments on the text "Take thy plague away from me" introduces the third section of the piece, where plucked strings create a halo around the text, "hear my prayer, OLord. " The piece ends with the ornaments, wildly exploded, over the voices singing two words, endlessly repeated. ' - Nico Muhly.

翻訳

ニコ·マーリーのマイのattB合唱のための日と5ヴィオラダガンバ. フルスコア. 楽譜のこの16分間の作品は、ウィグモアホールから委託され、ワー​​ルドプレミアはウィグモア·ホール、2012年10月2日に透かし彫りとヒリヤード·アンサンブルによって行われた. 「私の日は、オーランド·ギボンズ約ritualisedメモリピースです. 1583-1625. 、そのレコーディング私の音楽の発展のあまり知らさ2のアンサンブルのために書かれた. I feel like I spend half of my life trying to trick string players to play like Fretwork, and vocalists to singlike the Hilliard Ensemble, so it was with enormous pleasure that I composed this piece. テキストは、自身が設定しギボンズ詩篇39、だけでなく、痛烈な17世紀半匿名のテキストであるギボンズ自身の剖検、の口座から派生. 一緒に遊んで5ヴィオラ·ダ·ガンバの音についての最もスリリングなことの一つは、何らかの形で、装飾や文字列の摩擦によって電気と恍惚と声楽に由来する彼らのフレージングの感覚ですが、作ら. 作品は、イデーの二つの可能な解像度のマイナースケールに基づいてプリフィクス、と多くの装飾品を持って. 反復間では、声は、リズミカルなユニゾンで、賛美歌をIntOneは. 剖検テキストは声がより精巧な、「Gibbonsy「詩と応答に分割し始めていることを到着するまでそれではありません. A series of semiimprovisedfragments on the text "Take thy plague away from me" introduces the third section of the piece, where plucked strings create a halo around the text, "hear my prayer, OLord. 「作品は二つの単語を歌う声かけて、延々と繰り返され、乱暴に爆発した装飾品、で終わる. ' - ニコ·マーリー.