シートミュージック $15.71

原文

Edward Gregson. Serenata Notturna. Violin. Piano. Sheet Music. Violin. Piano Accompaniment. VLN. PFA. Edward Gregson.

翻訳

エドワード·グレッグソン. セレナーデ. バイオリン. 計画. シートミュージック. バイオリン. ピアノ伴奏. VLN. PFA. エドワード·グレッグソン.

原文

Serenata Notturna by Edward Gregson was first performed by Helena Smart. violin. and Caroline Jaya-Ratnam. piano. at the String Final of BBC Young Musicians 2000, Royal Northem College of Music, Manchester, 23 February 2000. "As the title suggests, my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series, the music gradually becomes more agitated, developing into a kind of danse macabre, eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody. like a lullaby. , uttered by the violin, the outline of which, both melodically and in terms of the accompaniment figuration, has already been present in the piece since the beginning. Thus, the turmoil of the first part of the work becomes transfigured into something much more peaceful - hence the quotation that prefaces the score. “out of darkness cometh light”. After I finished the work, it became apparent to me that it might become the sketch for the slow movement of a Violin Concerto on which I had just begun working. It did indeed form the basis of that slow movement and the concerto was premiered by Lyn Fletcher and the Halle Orchestra, conducted by Kent Nagano, at Bridgewater Hall, Manchester, in February 2000, the same month as Serenata Notturna itself was first played in public. Edward Gregson.

翻訳

Serenata Notturna by Edward Gregson was first performed by Helena Smart. バイオリン. and Caroline Jaya-Ratnam. 計画. at the String Final of BBC Young Musicians 2000, Royal Northem College of Music, Manchester, 23 February 2000. タイトルが示すように、「私のセレナータNotturnaは夜の音楽の雰囲気を連想させる. ピッチ開発は12分音符のシリーズの概要を説明した反射開口部に続いて、音楽が徐々に撹拌さとなり、死の舞踏のようなものへと発展、最終的には強力なクライマックスに達する. 音楽はその後ずっと静かな大気中におさまると、以前の不協和音の材料はシンプルなメロディーに自分自身を転置. 子守唄のような. , uttered by the violin, the outline of which, both melodically and in terms of the accompaniment figuration, has already been present in the piece since the beginning. スコアを前置するため、引用 - このように、作業の最初の部分の混乱はずっと平和な何かに変貌になる. “out of darkness cometh light”. After I finished the work, it became apparent to me that it might become the sketch for the slow movement of a Violin Concerto on which I had just begun working. It did indeed form the basis of that slow movement and the concerto was premiered by Lyn Fletcher and the Halle Orchestra, conducted by Kent Nagano, at Bridgewater Hall, Manchester, in February 2000, the same month as Serenata Notturna itself was first played in public. エドワード·グレッグソン.