楽器
Ensembles
Genres
作曲家
演奏者

シートミュージック $17.29

原文

Felix Mendelssohn. Midsummer Night's Dream Vocal Score. Female Voices. Sheet Music. Choral, Voice, Piano Accompaniment. CHOR. VCE. PFA. Felix Mendelssohn.

翻訳

Felix Mendelssohn. Midsummer Night's Dream Vocal Score. 女性の声. シートミュージック. Choral, Voice, Piano Accompaniment. CHOIR. VCE. PFA. Felix Mendelssohn.

原文

Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March, though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces. The Overture was composed when Mendelssohn was just seventeen years old, written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842, Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’s Dream, having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre, skillfully generating the spirit of each of the characters, establishing ambiences for the various scenes and complementing Shakespeare’s own drama.

翻訳

Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March, though the work contains an array of beautiful music. 楽器の動きが頻繁にオーケストラとして、あるいはスタンドアロンのピースのように行われている. The Overture was composed when Mendelssohn was just seventeen years old, written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842, Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. メンデルスゾーンは、特にシェイクスピアの真夏の夜の夢を愛し、子供の頃から彼の妹とそれを読んだ. His incidental music for the play ranks among the best of its genre, skillfully generating the spirit of each of the characters, establishing ambiences for the various scenes and complementing Shakespeare’s own drama.