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原文

Erik Satie. Avant-dernières Pensées. Urtext. Sheet Music. Piano. PF. Erik Satie.

翻訳

エリック·サティ. 前の最後の思考. 原典. シートミュージック. 計画. PF. エリック·サティ.

原文

In a typically humorous manner Satie countered the myth of the great master’s “last thought” with his “Next-to-last thoughts”. Avant-dernières Pensées. As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries. Claude Debussy. for no. 1 “Idylle”. , with whom he was close friends, Paul Dukas. no. 2 “Aubade”, in English “Dawn serenade”. , whose music he greatly admired, and Albert Roussel. no. 3 “Méditation”. , his former teacher of counterpoint at the Schola Cantorum in Paris.

翻訳

In a typically humorous manner Satie countered the myth of the great master’s “last thought” with his “Next-to-last thoughts”. 前の最後の思考. As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimsical story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries. クロード·ドビュッシー. for no. 1 “Idylle”. , with whom he was close friends, Paul Dukas. いいえ. 2 “Aubade”, in English “Dawn serenade”. , whose music he greatly admired, and Albert Roussel. いいえ. 3 “Méditation”. , his former teacher of counterpoint at the Schola Cantorum in Paris.