Piano Quartet in G minor, K.478 (Mozart, Wolfgang Amadeus)

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Sheet Music

Scores and Parts

Publisher. Info. Holograph manuscript, 1785.
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Publisher. Info. Mainz: Schott, n.d.[1788]. Plate 71.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Publisher. Info. Mainz: Schott, n.d. Plate 71.
later issue using the same plate number
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Publisher. Info. Vienna: Artaria & Comp., n.d.[1794]. Plate 493.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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4 more: Complete Score (modern reprint) • Violin • Viola • Cello

Editor Series XVII editors (exact editor not specified) [more...]
Otto Goldschmidt (1829-1907)
Joseph Joachim (1831-1907)
Carl Reinecke (1824-1910)
Ernst Rudorff (1840-1916)
Paul Waldersee (1831-1906)
Publisher. Info. Mozarts Werke, Serie XVII:
Pianoforte-Quintett, -quartette und -trios, Bd.1, No.2
(pp.2-31 (32-61))
Leipzig: Breitkopf & Härtel, 1879. Plate W.A.M. 478.
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Misc. Notes Original images: ca.300dpi, grayscale djvu files approx. 3000 by 3750 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. (#364322-25)
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Editor Friedrich August Roitzsch (1805-1889)
Publisher. Info. Leipzig: C. F. Peters, n.d.(ca.1882). Plate 7129.
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Editor Hellmut Federhofer (1911-2014)
Publisher. Info. Neue Mozart-Ausgabe, Serie VIII, Werkgruppe 22,
Quintette, Quartette und Trios mit Klavier und mit Glasharmonika, Abt. 1 [NMA VIII/22] (pp.1-52)
Kassel: Bärenreiter-Verlag, 1957. Plate BA 4506.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Arrangements and Transcriptions

Complete

For Orchestra (Choe)

18 more: Flute 1 • Flute 2 • Oboe 1 • Oboe 2 • Clarinet 1 (B♭/A) • Clarinet 2 (B♭/A) • Bassoon 1 • Bassoon 2 • Horn 1 (F) • Horn 2 (F) • Trumpet 1 (B♭/D) • Trumpet 2 (B♭/D) • Timpani • Violins I • Violins II • Violas • Cellos • Basses

Arranger Joshua Choe
Publisher. Info. Joshua Choe, 2020.
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Misc. Notes YouTube playlist
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For Flute, Oboe, Clarinet, Bassoon, Horn and Piano (Patterson)

5 more: Flute (optional) • Oboe • Clarinet (B♭/A) • Horn (E♭/G) • Bassoon

Arranger Robert G. Patterson
Publisher. Info. Great River Music (ASCAP)
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Misc. Notes Arranger's note [more...]The arranger intends that this transcription may be performed equally well with or without the flute part. The goal of the arrangement is to be as faithful to Mozart’s aesthetics as is possible, and either choice (whether to include the flute) provides different advantages. The version without flute matches the instrumentation of Mozart’s Quintet for Piano and Winds, K.452. This version was the original version of the transcription.

The version with flute allows for a more exact match to the higher passages of Mozart’s violin part. The arranger believes the flute is particularly valuable in passages like bars 65–9 in the first movement and 270–9 in the last. If the flute is absent, the oboe and clarinet players should play the cues marked “play in absence of flute.”

The piano part is identical to the original.
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For 2 Violins, 2 Violas and Cello

4 more: Violin 2 • Viola 1 • Viola 2 • Cello

Publisher. Info. 2 Quintetti pour deux violons deux alto et basse, No.1
Paris: Sieber, n.d.[1795]. Plate 1363.
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4 more: Violin 2 • Viola 1 • Viola 2 • Cello

Publisher. Info. 3 Quintetti pour deux violons, deux altos et un violoncel, No.1
Paris: Imbault, n.d.(ca.1796-1800). Plate 638.
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Misc. Notes "[2] livre de quintetti"
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For Violin, Viola and Cello (Bartoli)
Arranger Russ Bartoli
Publisher. Info. Russ Bartoli
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For Violin and Cello (Bartoli)
Arranger Russ Bartoli
Publisher. Info. Russ Bartoli
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For Piano 4 Hands (Ulrich and Wittmann)
Arranger Hugo Ulrich (1827-1872)
Robert Wittmann
Publisher. Info. Klavier-Quartette und -Quintett
Leipzig: C.F. Peters, n.d.(ca.1880). Plate 6843.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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Rondo (No.3)

For 2 Pianos (Wolfson)
Arranger Boris Wolfson (b. 1975)
Publisher. Info. Boris Wolfson, 2018.
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Misc. Notes Arranged in June 2017. Typeset using MuseScore.
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General Information

Work Title Piano Quartet
Alternative. Title Piano Quartet No.1
Name Translations Pianokvartett nr. 1 av Mozart; ピアノ四重奏曲第1番; Piano Quartet No. 1; Cuarteto con piano n.º 1; quatuor pour piano no 1 et cordes en sol mineur, KV 478; 第1號鋼琴四重奏 (莫扎特)
Name Aliases KV 478; Piano Quartet in G Minor, K. 478
Authorities WorldCat; Wikipedia; LCCN: n81093430
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.478
Internal Reference NumberInternal Ref. No. IWM 395
Key G minor
Movements/SectionsMov'ts/Sec's 3 movements:
I. Allegro
II. Andante
III. Rondo
Year/Date of CompositionY/D of Comp. 1785-10-16
First Publication. 1785 (December) – Vienna: Hoffmeister
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation violin, viola, cello, piano