Violin Concerto in F major, RV 293 (Vivaldi, Antonio)

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Editor Newell Jenkins (1915–1996)
Publisher. Info. Leipzig: Eulenburg, n.d. MPR
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1178.
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Misc. Notes Full Score is 10 x 13 scan.
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Editor Gian Francesco Malipiero (1882–1973)
Publisher. Info. Le Opere di Antonio Vivaldi, Vol.I, Tomo 78
Milano: G. Ricordi & C., 1950. Plate P.R. 436.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Editor Simon Launchbury (fl. 1982-1984)
Publisher. Info. Vivaldi: Le quattro stagioni, No.3
London: Ernst Eulenburg, No.1222, 1982. Plate EE 6720.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Editor Eleanor Selfridge-Field (b. 1940)
Publisher. Info. 'The Four Seasons' and Other Violin Concertos in Full Score, No.3
New York: Dover Publications, 1995.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted New York: Dover Publications, 1999.
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PDF scanned by Unknown
Feduol (2024/8/17)

Editor Paul Everett (b. 1955)
Michael Talbot (b. 1943)
Publisher. Info. Antonio Vivaldi: Le quattro stagioni, No.3
Milan: Ricordi, 1996. Plate 137301.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Anonymous
Publisher. Info. Mutopia Project, 2010.
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Editor H. Sawano
Publisher. Info. H. Sawano
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Misc. Notes Finale
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Editor Nels Drue Daily
Publisher. Info. ND Music Edition, No.004, 2010.
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Misc. Notes Typeset in LilyPond 2.12.3.
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Parts

Violin Solo
Editor First edition
Publisher. Info. Il cimento dell'armonia e dell'inventione, Op.8 (No.3)
Amsterdam: Michel-Charles Le Cène, n.d.[1725]. Plate 520.
Copyright
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Editor Newell Jenkins (1915–1996)
Publisher. Info. Leipzig: Eulenburg, n.d. MPR
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1178.
Copyright
Misc. Notes Parts are 10 x 13 scans.
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PDF scanned by Unknown
Feduol (2024/8/14)

Editor Paul Everett (b. 1955)
Michael Talbot (b. 1943)
Publisher. Info. Antonio Vivaldi: Le quattro stagioni, No.3
Milan: Ricordi, 1996. Plate 137301.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Anonymous
Publisher. Info. Mutopia Project, 2010.
Copyright
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PDF typeset by editor
H. Sawano (2009/10/27)

Editor H. Sawano
Publisher. Info. H. Sawano
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Misc. Notes Finale
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Orchestra

4 more: Violins II • Violas • Cellos/Basses • Harpsichord

Editor Newell Jenkins (1915–1996)
Publisher. Info. Leipzig: Eulenburg, n.d. MPR
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A1178.
Copyright
Misc. Notes Parts are 10 x 13 scans.
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PDF scanned by Unknown
Feduol (2024/8/14)

PDF scanned by Unknown
Feduol (2024/8/14)

PDF scanned by Unknown
Feduol (2024/8/14)

PDF scanned by Unknown
Feduol (2024/8/14)

Editor Paul Everett (b. 1955)
Michael Talbot (b. 1943)
Publisher. Info. Antonio Vivaldi: Le quattro stagioni, No.3
Milan: Ricordi, 1996. Plate 137301.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
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4 more: Violins I • Violins II • Violas • Cellos/Basses

Editor Anonymous
Publisher. Info. Mutopia Project, 2010.
Copyright
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4 more: Violins II • Violas • Cellos • Basses

Editor H. Sawano
Publisher. Info. H. Sawano
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Misc. Notes Finale
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PDF typeset by editor
SGA (2018/11/23)

Editor Simon Ansell
Publisher. Info. Simon Ansell
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Arrangements and Transcriptions

Complete

For Orchestra (Choe)
Arranger Joshua Choe
Publisher. Info. Joshua Choe, 2022.
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For Piano 4 Hands and Strings (Schoonenbeek)
Arranger Kees Schoonenbeek
Publisher. Info. Dieren: Canzona Music.
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Misc. Notes The solo violin part is arranged for piano duet.
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For Piano and Strings (Schoonenbeek)
Arranger Kees Schoonenbeek
Publisher. Info. Dieren: Canzona Music.
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Misc. Notes The solo violin-part is arranged for piano
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For Accordion Orchestra (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2019.
Copyright
Misc. Notes Accordion Orchestra: accordion solo, four accordion parts with at least two players each, and at least one bass accordion. While in theory this can be done with just 5 accordions and bass accordion this is not really feasible when one wants a different sound between solo and tutti parts and also to manage the register switches.
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For Violin and Piano (Vilaprinyó)
Arranger Jordi Vilaprinyó
Publisher. Info. Jordi Vilaprinyó
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For Piano 4 Hands (Toni)
Arranger Alceo Toni (1884–1969)
Publisher. Info. Milan: Società Anonima Notari per Edizioni di Musica Italiana, n.d. Plate R. N. M. I.-A.- Q. 296.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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For Piano (Bird)
Arranger Justin Bird
Publisher. Info. Justin Bird
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Misc. Notes Includes English Translation of Sonnets and Captions
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For Piano (Novegno)
Arranger Roberto Novegno
Publisher. Info. Roberto Novegno
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Allegro (No.1)

For 3 Cellos and Double Bass (Zehar)
Arranger Farid Zehar
Publisher. Info. Farid Zehar, 2016.
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Misc. Notes Pedagogical arrangement
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Selections (Movements II, III)

For Violin, Strings and Wind Continuo (Halsey)

6 more: III. Allegro 'Caccia' (2 oboes, English horn, bassoon, horn) • III. Allegro 'Caccia' - bassoon • III. Allegro 'Caccia' - flute (octave doubling of English horn) • III. Allegro 'Caccia' - English horn • III. Allegro 'Caccia' - horn • III. Allegro 'Caccia' - oboe 1/2 (plus flute at the octave)

Arranger William D. Halsey
Publisher. Info. Meyerbeer Associates
Copyright
Misc. Notes A substitute for the standard continuo (harpsichord) using wind instruments. Use with the standard solo and string parts available.
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Adagio molto (No.2)

For 5 Recorders (Wiebes)
Arranger Jaap Wiebes
Publisher. Info. Jaap Wiebes
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For Organ (Gouin)
Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2007
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Violin Concerto in F major
Alternative. Title L'autumno (Autumn) from Le quattro stagioni (The Four Seasons)
Name Translations Concerto No. 3 in F major, Op. 8, RV 293; Concertos. Violon, orchestre à cordes, basse continue. RV 293. Fa majeur; Il cimento dell'armonia e dell'inventione. Konzert, RV 293; Концерт для скрипки, струнных и генерал-баса № 3 фа мажор, соч. 8, RV 293 («Осень»); 協奏曲 第3番 ヘ長調 RV 293『秋』
Name Aliases L'autunno; Autumn; Autunno; Cimento dell'armonia e dell'inventione. N. 3; L'automne; [2 more...]Der Herbst; Концерт № 3 Фа мажор, Op. 8, RV 293
Authorities WorldCat; VIAF: 178626564; LCCN: n83187593; GND: 30016792X; BNF: 139276524
Composer Vivaldi, Antonio
Opus/Catalogue NumberOp./Cat. No. RV 293 ; Op.8 No.3
Internal Reference NumberInternal Ref. No. IAV 492
Key F major
Movements/SectionsMov'ts/Sec's 3 movements:
I. Allegro
II. Adagio molto
III. Allegro 'Caccia'
Year/Date of CompositionY/D of Comp. 1723
First Publication. 1725 in Il cimento dell'armonia e dell'inventione, Op.8 (No.3)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation violin, strings, continuo
External Links The Four Seasons - Wikipedia article
CCARH parts (matches Dover score)
Violin Concerto in F major, RV 293 -  Scores at Sheet Music Plus

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